Judge Merchan saw Jimmy Carter dying and having the flag lowered for his honor being the biggest thing making Trump throw a bitch-fit about ruining the mood of his inauguration and said “Hold my beer.”
(He’s not going to be sentenced to prison time but take our W’s where we can.)
scientists in the 1990s, putting a Get More Purple gene attached to a harmless plant virus into an already purple petunia: please get more purple
the petunia, sensing an apparent honest to god Get More Purple Disease, using the previously undiscovered RNAi antiviral ability to shut down all other purple genes along with it just in case: you put VIRUS in petunia? you infect her with the More Purple?? oh! oh! her children shall bloom white! jail for mother, jail for mother for One Thousand Years!!!!
Btw the thing this discovered is like. A foundational lab technique now and has revolutionized genetics
Why do petunias keep popping up in weird genetics stories?
I bet this is why they were so miffed in Hitchhiker’s Guide; constant genetic experiments
1) the U.S. entertainment industry (especially animation) is run by older conservative types who make up offensive terms and get really mad about them.
2) the people who run Disney would be the first to fall in line with a fascist regime.
3) most of the media we consume is tailor-made and watered-down to appeal to the tastes of older, deeply religious conservative audiences.
4) conservatism, not the left, is and always has been the biggest voice of censorship in American culture.
J. Michael Straczynski, creator of Babylon 5, was before that a producer and writer for a number of cartoons in the late ‘80s/early ‘90s (The Real Ghostbusters and the original She-Ra, most notably). After a few years of dealing with the censors and their obsession with finding Satanism (or at least looking for Satanism to further political agendas) he wrote an article about the whole corrupt and bullshit system.
And published it in Penthouse, to force those same censors to buy a skin mag. The editor there asked, why Penthouse?
That one is from his autobiography, Becoming Superman. See also:
(As he goes on to say, he’s never worked in animation again–he’s effectively been blacklisted by the cartoon industry.)
Every time something like this comes up, I remember two stories about making media. The first is about movies, and comes from Quentin “Feet Man” Tarantino.
When he was making Pulp Fiction, he was worried that the MPAA would object to the high level of violence in the film, so he shot a bunch of extra-gory stuff that he didn’t actually want in the film, and added it in before submitting it to the MPAA. Predictibly, they asked him to cut most of it (without even commenting on some of the things that had him worried, like the bits of Marvin’s skull that lodge in Samuel L. Jackson’s hairpiece). The resultant cuts were actually more permissive than he’d expected, so he cut a little more and submitted it, and it got passed with an R.
The second story is about that artist on Morrowind whose name escapes me (I’m not a big ES fan tbh) who figured out that if he made two creature designs, one weird and what he wanted, and one even weirder, he could get Todd Howard to agree to just about anything by showing him the whopper first, then going back and “working” for another few hours on a second, “toned-down” version, and it worked every time.
The reason I bring these up is that the thing that drives censors isn’t some extant physical rubrick of what is and isn’t acceptable, it’s the idea that they can have absolute power over someone else’s creative work. It’s about the social dominance of the interaction.
There is nothing so innocent, so clean, that a censor will not find some fault with it. Because they must find something wrong with it to justify their existence, and because it makes them feel powerful.
This is true of all censorship.
I’ve been a professional designer for 8 years and that last bit is so true. In addition to politics, a huge part of people meddling with creative work is just ego. They want to feel like they had a hand in the final product, even though they not only did not create it but are in fact incapable of creating something on that level. So they reach their hand into someone else’s work and command it to change, not in service of a mutual artistic goal, but simply because they have the power to do so and they like feeling that power.
At work there used to be a sign on a few things that would say like “if this bubbles, run for your life” and “if you hear thumping run for cover” and “bears can and will kill you” and really in general I wish the park service was more willing to say “you are not at home, you are not at disneyland, you can die here and you can die so badly your family will have to bury an empty casket because no one will risk their own life to collect your idiot corpse.”
amhrancas 