Please send me the training or tutorial in a written format with maybe some screenshots if necessary. I don’t want a video tutorial. I don’t want to waste time trying to scroll to the exact moment in the instructions that I need and then have to pause and replay it because I missed the .01 seconds of actually relevant information.
Please. Text. Maybe some images for clarification. I can read. I promise.
Skimmable, SEARCHABLE instructions. If they’re long, there should be a hyperlinked table of contents.
Elder Millennial here cosigning HARD
If you really need to show a movement, embed a gif or 15-scond-or-less video in the text, like Jod intended.
I work in science communications and I am constantly hearing about how we need to try to do video to appeal to the newest generation of scientists and it’s like do you think physicists who can’t read are a good idea?
me?? checking knitting books out both to support my library and to avoid paying per pattern??? it’s More Likely Than You’d Think
update:
VOLUME ACQUIRED!! specifically for the YOU SHAWL NOT PASS pattern (pictured bottom left of the cover!!), but i’m VERY stoked to flip through the rest of this, too
ANOTHER UPDATE:
YARN ACQUIRED!!! as soon as i saw Mothy and the Squid’s absolutely GORGEOUS “Inner Fire” yarn, i knew that was 100% what i needed for the Balrog-themed “You Shawl Not Pass,” and after a Slight Snafu about Shades of Black, my Much More Appropriately Saturated OPAL arrived today!! i am LOCKED and LOADED and PREPARED FOR SHAWLDOM!!
(i will absolutely not be starting this right away, i’ve got a blanket in the works and need to do some Little Projects For The Dopamine Of It All, but it is HERE and i COULD and THAT’S WHAT MATTERS!!)
SO IT HAS BEGUN:
so the cast on for this one STARTS at 162 stitches, and then we come out swinging with some UNHINGED EARLY EDGE INCREASES, but so far so good!! we’ll see how long it actually takes to Make This Thing Happen (it’s a christmas present so….)
made it past “cast on and setup”!! honestly loving the big long stretch of garter in the middle, because it turns it into a Social Project (read: i can chatter instead of having to count all the way across lol). so far, so good! onward to chevrons!
okay so i shoved this to the bottom of the stack to work up a [REDACTED] real quick and then most of my mom’s cowl, AND now it’s nano, HOWEVER!: i picked this up again this afternoon, got to a stitch notation in the pattern, had exactly this mood:
, googled the vexing stitch, found a youtube link in my search history, and all of a sudden DID recall so. that’s how this is going lmao
update!: have made it to the end of the section labeled “CHEVRONS” and now i am onto the section labeled “CONTINUE CHEVRONS” (in which she hits you with a “Read carefully through this section before beginning as multiple steps occur at the same time,” which has been making me low-key nervous since the first time i read through the pattern, because it looked Convoluted and Tricky).
fortunately! her instructions for the multiple simultaneous steps are just written unhingedly! it’s basically “keep working in the established pattern BUT make it bigger every 8 rows to account for the increases in said 8th row” lmao. i wrote myself out a handy cheat sheet so i have something to check off (because i’ve been putting check marks upon row completion but. ah. seventy-eight (78) more rows is. too many check marks, for the current printed pattern to withstand).
making good progress on the first ball of black yarn! theoretically i’ll use a second one, too, and then switch to the FLAMES. i’m so glad i’m not speedrunning this all in december lmao
made it to the end of the first ball of yarn!! she is. Growing Up.
i could switch to a bigger cable to see her better but i don’t wanna
anyway! just finished the fifth “CONTINUE CHEVRONS” repeat (what timing!!), so there’s only four and a half left before the contrast color switch. very interested to see how much of the second ball of black yarn i need for this–i’m already going through a lot per row, but there’s also only four and a half repeats of the pattern with the contrast color, and that allegedly will use one ball or less also. so! hoping to have some extra black at the end, but We Shall See.
now, onward, to Poorly Joining In The Second Ball!
behold, the fun part: COLOR!!!
finally made it to mothy and the squid’s INNER FIRE yarn, and hot damn is it delightful fun!! it’s way more interesting to work than the solid black, and it’s gonna look cool? hot as hell when it’s done!! less than four pattern repeats to go!
WAY PAST MY BEDTIME TOO HYPED TO SLEEP BAD LIGHTING PICTURES LET’S GOOOO~~
HERE’S THE SCRUNGLYASS HERSELF, FRESH OFF THE NEEDLES, AND HER POT OF STEW (TRAGICALLY POTATOLESS):
it took me 88 minutes and 10 seconds (plus or minus maybe 2 min)(i had a stopwatch going but also Family Interruptions and my stopwatch game isn’t hair-trigger accurate) to bind off all 646 stitches, but i DID IT and now she is BLOCKING and i am MOST PLEASED!! i’ll post pinned pictures once i have daylight and then drape pictures once she’s dry, but WOW what a DAY!!
*this point on your dash without witnessing THE COMPLETED SHAWL, is what he means by “you shawl shall not pass,” here
hello again world!! guess what has been BLOCKED and PHOTOGRAPHED and WRAPPED!! BEHOLD!!
she’s 65 inches at her widest and 17 inches from neckline to central point! she is VERY wrappable and wingspanny and cozy!! i’m so pleased with how she turned out! she took two skeins (a skein and a half really) of OPAL and most of the INNER FIRE, and the pattern can be found on ravelry here.
thanks for joining me on this treacherous quest–i’m glad most of our fellowship made it past the balrog. now, if you’ll excuse me, i’m going to go collapse in a heap and pine after second breakfast.
In retrospect, four years later, I feel like the Isabel Fall incident was just the biggest ignored cautionary tale modern fandom spaces have ever had. Yes, it wasn’t limited to fandom, it was also a professional author/booktok type argument, but it had a lot of crossover.
Stop me if you’ve heard this one before: a writer, whether fan or pro, publishes a work. If one were to judge a book by its cover, something we are all taught in Kindergarten shouldn’t happen but has a way of occurring regardless, one might find that there was something that seemed deeply problematic about this work. Maybe the title or summary alluded to something Wrong happening, or maybe the tags indicated there was problematic kinks or relationships. And that meant the story was Bad. So, a group of people takes to the Twittersphere to inform everyone who will listen why the work, and therefore the author, are Bad. The author, receiving an avalanche of abuse and harassment, deactivates their account, and checks into a mental health facility for monitoring for suicidal ideation. They never return to their writing space, and the harassers get a slap on the wrist (if that- usually they get praise and high-fives all around) and start waiting for their next victim to transgress.
Sounds awful familiar, doesn’t it?
Isabel Fall’s case, though, was even more extreme for many reasons. See, she made the terrible mistake of using a transphobic meme as the genesis to actually explore issues of gender identity.
More specifically, she used the phrase “I sexually identify as an attack helicopter” to examine how marginalized identities, when they become more accepted, become nothing more than a tool for the military-industrial complex to rebrand itself as a more personable and inclusive atrocity; a chance to pursue praise for bombing brown children while being progressive, because queer people, too, can help blow up brown children now! It also contained an examination of identity and how queerness is intrinsic to a person, etc.
But… well, if harassers ever bothered to read the things they critique, we wouldn’t be here, would we? So instead, they called Isabel a transphobic monster for the title alone, even starting a misinformation campaign to claim she was, in fact, a cis male nazi using a fake identity to psyop the queer community.
A few days later, after days of horrific abuse and harassment, Isabel requested that Clarkesworld magazine pull the story. She checked in to a psych ward with suicidal thoughts. That wasn’t all, though; the harassment was so bad that she was forced to out herself as trans to defend against the claims.
Only… we know this type of person, the fandom harassers, don’t we? You know where this is going. Outing herself did nothing to stop the harassment. No one was willing to read the book, much less examine how her sexuality and gender might have influenced her when writing it.
So some time later, Isabel deleted her social media. She is still alive, but “Isabel Fall” is not- because the harassment was so bad that Isabel detransitioned/closeted herself, too traumatized to continue living her authentic life.
Supposed trans allies were so outraged at a fictional portrayal of transness, written by a trans woman, that they harassed a real life trans woman into detransitioning.
It’s heartbreakingly familiar, isn’t it? Many of us in fandom communities have been in Isabel’s shoes, even if the outcome wasn’t so extreme (or in some cases, when it truly was). Most especially, many of us, as marginalized writers speaking from our own experiences in some way, have found that others did not enjoy our framework for examining these things, and hurt us, members of those identities, in defense of “the community” as a nebulous undefined entity.
There’s a quote that was posted in a news writeup about the whole saga that was published a year after the fact. The quote is:
The delineation between paranoid and reparative readings originated in 1995, with influential critic Eve Kosofsky Sedgwick. A paranoid reading focuses on what’s wrong or problematic about a work of art. A reparative reading seeks out what might be nourishing or healing in a work of art, even if the work is flawed. Importantly, a reparative reading also tends to consider what might be nourishing or healing in a work of art for someone who isn’t the reader. This kind of nuance gets completely worn away on Twitter, home of paranoid readings. “[You might tweet], ‘Well, they didn’t discuss X, Y, or Z, so that’s bad!’ Or, ‘They didn’t’ — in this case — ‘discuss transness in a way that felt like what I feel about transness, therefore it is bad.’ That flattens everything into this very individual, very hostile way of reading,” Mandelo says. “Part of reparative reading is trying to think about how a story cannot do everything. Nothing can do everything. If you’re reading every text, fiction, or criticism looking for it to tick a bunch of boxes — like if it represents X, Y, and Z appropriately to my definitions of appropriate, and if it’s missing any of those things, it’s not good — you’re not really seeing the close focus that it has on something else.”
A paranoid reading describes perfectly what fandom culture has become in the modern times. It is why “proship”, once simply a word for common sense “don’t engage with what you don’t like, and don’t harass people who create it either” philosophies, has become the boogeyman of fandom, a bad and dangerous word. The days of reparative readings, where you would look for things you enjoyed, are all but dead. Fiction is rarely a chance to feel joy; it’s an excuse to get angry, to vitriolically attack those different from oneself while surrounded with those who are the same as oneself. It’s an excuse to form in-groups and out-groups that must necessarily be in a constant state of conflict, lest it come across like This side is accepting That side’s faults. In other words, fandom has become the exact sort of space as the nonfandom spaces it used to seek to define itself against.
It’s not about joy. It’s not about resonance with plot or characters. It’s about hate. It’s about finding fault. If they can’t find any in the story, they will, rest assured, create it by instigating fan wars- dividing fandom into factions and mercilessly attacking the other.
And that’s if they even went so far as to read the work they’re critiquing. The ones they don’t bother to read, as you saw above, fare even worse. If an AO3 writer tagged an abuser/victim ship, it’s bad, it’s fetishism, even if the story is about how the victim escapes. If a trans writer uses the title “I Sexually Identify as an Attack Helicopter” to find a framework to dissect rainbow-washing the military-industrial complex, it’s unforgivable. It’s a cesspool of kneejerk reactions, moralizing discomfort, treating good/evil as dichotomous categories that can never be escaped, and using that complex as an excuse to heap harassment on people who “deserve it.” Because once you are Bad, there is no action against you that is too Bad for you to deserve.
Isabel Fall’s story follows this so step-by-step that it’s like a textbook case study on modern fandom behavior.
Isabel Fall wrote a short story with an inflammatory title, with a genesis in transphobic mockery, in the hopes of turning it into a genuine treatise on the intersection of gender and sexuality and the military-industrial complex. But because audiences are unprepared for the idea of inflammatory rhetoric as a tool to force discomfort to then force deeper introspection… they zeroed in on the discomfort. “I Sexually Identify as an Attack Helicopter”- the title phrase, not the work- made them uncomfortable. We no longer teach people how to handle discomfort; we live in a world of euphemism and glossing over, a world where people can’t even type out the words “kill” and rape", instead substituting “unalive” and “grape.” We don’t deal with uncomfortable feelings anymore; we censor them, we transform them, we sanitize them. When you are unable to process discomfort, when you are never given self-soothing tools, your only possible conclusion is that anything Uncomfortable must be Bad, and the creator must either be censored too, or attacked into conformity so that you never again experience the horrors of being Uncomfortable.
So the masses took to Twitter, outraged. They were Uncomfortable, and that de facto meant that they had been Wronged. Because the content was related to trans identity issues, that became the accusation; it was transphobic, inherently. It couldn’t be a critique of bigger and more fluid systems than gender identity alone; it was a slight against trans people. And no amount of explanations would change their minds now, because they had already been aggrieved and made to feel Uncomfortable.
Isabel Fall was now a Bad Person, and we all know what fandom spaces do to Bad People. Bad People, because they are Bad, will always be deserving of suicide bait and namecalling and threatening. Once a person is Bad, there is no way to ever become Good again. Not by refuting the accusations (because the accusations are now self-evident facts; “there is a callout thread against them” is its own tautological proof that wrongdoing has happened regardless of the veracity of the claims in the callout) and not by apologizing and changing, because if you apologize and admit you did the Bad thing, you are still Bad, and no matter what you do in future, you were once Bad and that needs to be brought up every time you are mentioned. If you are bad, you can NEVER be more than what you were at your worst (in their definition) moment. Your are now ontologically evil, and there is no action taken against you that can be immoral.
So Isabel was doomed, naturally. It didn’t matter that she outed herself to explain that she personally had lived the experience of a trans woman and could speak with authority on the atrocity of rainbow-washing the military industrial complex as a proaganda tool to capture progressives. None of it mattered. She had written a work with an Uncomfortable phrase for a title, the readers were Uncomfortable, and someone had to pay for it.
And that’s the key; pay for it. Punishment. Revenge. It’s never about correcting behavior. Restorative justice is not in this group’s vocabulary. You will, incidentally, never find one of these folks have a stance against the death penalty; if you did Bad as a verb, you are Bad as an intrinsic, inescapable adjective, and what can you do to incorrigible people but kill them to save the Normal people? This is the same principle, on a smaller scale, that underscores their fandom activities; if a Bad fan writes Bad fiction, they are a Bad person, and their fandom persona needs to die to save Normal fans the pain of feeling Uncomfortable.
And that’s what happened to Isabel Fall. The person who wrote the short story is very much alive, but the pseudonym of Isabel Fall, the identity, the lived experiences coming together in concert with imagination to form a speculative work to critique deeply problematic sociopolitical structures? That is dead. Isabel Fall will never write again, even if by some miracle the person who once used the name does. Even if she ever decides to restart her transition, she will be permanently scarred by this experience, and will never again be able to share her experience with us as a way to grow our own empathy and challenge our understanding of the world. In spirit, but not body, fandom spaces murdered Isabel Fall.
And that’s… fandom, anymore. That’s just what is done, routinely and without question, to Bad people. Good people are Good, so they don’t make mistakes, and they never go too far when dealing with Bad people. And Bad people, well, they should have thought before they did something Bad which made them Bad people.
Isabel Fall’s harassment happened in early 2020, before quarantine started, but it was in so many ways a final chance for fandom to hit the breaks. A chance for fandom to think collectively about what it wanted to be, who it wanted to be for and how it wanted to do it. And fandom looked at this and said, “more, please.” It continues to harass marginalized people, especially fans of color and queen fans, into suffering mental breakdowns. With gusto.
Any ideas of reparative reading is dead. Fandom runs solely on paranoid readings. And so too is restorative justice gone for fandom transgressions, real or imagined. It is now solely about punitive, vigilante justice. It’s a concerted campaign to make sure oddballs conform or die (in spirit, but sometimes even physically given how often mentally ill individuals are pushed into committing suicide).
It’s a deeply toxic environment and I’m sad to say that Isabel Fall’s story was, in retrospect, a sort of event horizon for the fandom. The gravitational pull of these harassment campaigns is entirely too strong now and there is no escaping it. I’m sorry, I hate to say something so bleak, but thinking the last few days about the state of fandom (not just my current one but also others I watch from the outside), I just don’t think we can ever go back to peaceful “for joy” engagement, not when so many people are determined to use it as an outlet for lateral aggression against other people.
SIMPing for the USSR is already dumb enough but for Russia it is just embarrassing. They aren’t even pretending to be leftist they are straight up telling everyone they don’t agree with leftist policies. And yet somehow tankies still worship Russia.
A week ago I was losing my mind over 1 sale, now I’ve sold 81 digital copies and 52 physical ones.
Over 100 people bought my game!!!!????? This is mind blowing. I don’t even know how to process this. I am so grateful. I would not have sold nearly this many without yall sharing this post as much as you did. I love you all so much. Thank you for making this happen. You all made my childhood dream come true in a bigger way than I thought possible.
Achievement Unlocked:
NEStseller
Sell a new title for the fucking Nintendo Family Computer in the year 2025 AD.
amhrancas 